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Fats Domino, Dead At 89

Fats Domino, Died At 89

Fats Domino, one of the engineers of rock ‘n’ roll, passed away the other day at 89 years of ages at his little girl’s suburban New Orleans house. Haydee Ellis, his good household friend, confirmed this information to NPR. Mark Bone, the first detective for the Jefferson Parish Coroner’s workplace, tells NPR that Domino died because of natural reasons.


In the 1940s, Antoine Domino Jr. was doing his job at a bed mattress factory in New Orleans and playing piano during the night. It was his first release for Imperial Records, which contracted him right off the gazebo.

Fats Domino, Died At 89

“Fats was shaking the joint,” Bartholomew stated. We made our initial record, ‘The Fat Man,’ and we never marked a change in the beginning.”


Between the years 1950 and 1963, Fats Domino hit the R&B charts for a reported 59 times, and the pop grapes a rolling 63 times. He outsold Little Richard, Chuck Berry as well as Buddy Holly, all combined. Only Elvis Presley brought about much more records during that stretch, yet Presley mentioned Domino as the very early master.


How did a black guy with a fourth-grade education and minimal learning in the Jim-Crow South, the youngster of Haitian Creole vineyard employees as well as the grandson of a slave, was able to market much more compared to 65 million documents?


Domino could “wah-wah-waaaaah” and “woo-hoo!” like no one else in the entire broad world ( and also he made piano triplets common in rock ‘n’ roll. “Blueberry Hill,” for example, was not Domino’s very own tune) it was very first published in 1940 and also had already been tape-recorded by the likes of Glenn Miller, Gene Autry and even Louis Armstrong; however Domino’s turn over in 1956, full with those right-hand triplets, was just extraordinary.


“The triplets point,” he states, “that was one of the structure blocks of New Orleans R&B as well as that’s the great Fats Domino groove known by all.


And after that, there was Dave Bartholomew. He along with the designer Cosimo Matassa developed a rhythm-heavy audio in Matassa’s studio that was the real envy of rock ‘n’ roll. “Blueberry Hill” could have been Domino’s most significant hit, but Bartholomew wrote Domino’s favorite portrayed as “Blue Monday.”


“Blue Monday” had various other levels of meaning in Domino’s world. In the 1950s, the birth of rock ‘n’ roll was hard labor. Social cavillers pointed the music vulgar. Jim Crow laws segregated Domino’s target listeners, occasionally with only a rope. The combination of racial tension along with teenage hormonal throwback tantrums at shows provoked violence like bottle throwing, tear gas, stabbings, as well as arrests.